


The search for beauty is an exercise in form and matter. In this work, the tension between structure and fragility is applied to anonymous, everyday materials: bubble wrap, cardboard, polystyrene. These elements exist in a temporary dimension: they protect, wrap, separate, but they are not meant to last. They are margins, envelopes, interludes between an object and its use, between creation and waste. Yet, when removed from their original function, they reveal an autonomous presence. Their irregular surfaces, transparencies, and geometries become carriers of an unexpected aesthetic—a beauty that does not arise from intention but from the very condition of the material. This reflection on transience intertwines with the materiality of photographic film. The grain, the imperfections, the density of the print introduce an additional level of physicality, emphasizing the dialogue between medium and subject. The film itself becomes part of the narrative: a medium that records and restores the fragility of what it captures, amplifying its presence through its own material consistency. This is not merely a documentation of form but an inquiry into the relationship between material and meaning. Here, structure emerges from the ephemeral—an exercise in uncodified beauty, in the fragility of matter, and in the ability of the gaze to transform what is destined to disappear.